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Chuckle worthy.

I found the writing style a little bit clumsy, and the wrap-up a bit hasty, but a generally enjoyable story otherwise.

As a fan of "vintage computing", this is superb. As best as I can determine, the PDP-3 was never an actual product. A single one was built, and not by DEC. I wonder how this document fits into the history of PDP computers? This appears to be a genuine document, but I'm not any sort of exert to ascertain that. A good time-line of PDP's is at:

http://www.faqs.org/faqs/dec-faq/pdp8/

Didn't see that coming.

Utter rubbish.

Essentially a re-telling of "The Seven Samurai", this is a good page-tuner. I'm glad to see the writer has several other books released, seemingly all in the same universe, so I'll be sure to look into those as well.

Self-publishing is great, because you can skip the traditional channels. Unfortunately, some of the process of traditional publishing is very useful. In this case, it would have been highly beneficial for the author to have this professionally proof-read prior to publishing.

Third, and thankfully, last in the series. Significantly less enjoyable than the earlier two. Our hero is now approaching self-deification, while his "girl" simply tells him "without you, none of this would be possible". Of course, being the last "civilized" people on earth, that would be true in any event.

If this was not the conclusion to the series, I would have stopped reading at least half-way through, but I really (really) wanted to see how it all ended, and had to grit my teeth for this one.

Second in the series, picks up almost directly after the first book leaves off. This time, we learn that the dynamic duo are not the sole survivors of the presumably global catastrophe.

By now, the protagonist has grown to mythological proportions, with nothing impossible at his hands. A contemporary MacGyver if you will, who is starting to develop a touch of megalomania. "The girl" by now is reduced to a one-dimension paperdoll who's sole purpose is a sounding board for the protagonists monologues, and to stare adoringly at him.

Regardless of the distasteful treatment of those matters, if you can overlook that, it is still enjoyable.

Only marred by some of the more blatant racist and sexist material; if you can overlook that, reading it as contemporary (i.e., 1911), it is fast and entertaining reading.